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9.11.2010

The Evolution of the Rap Group



In 1979, Wonder Mike, Big Bank Hank, and Master Gee, better known as the hip-hop group The Sugarhill Gang, released their hit song "Rapper's Delight." This was the first hip-hop song to become a Top 40 hit on the radio. "Rapper's Delight" brought the gem that was hip-hop to mainstream American audiences. It is heralded by most as the inauguration, the genesis, the very origin of the recorded history of rap in America. Followed closely by the introduction of Grandmaster Flash and the Furious Five, hip-hop started off with the first few noticeable acts being groups. But I suppose that solo success overshadowed the importance of sticking to origins, and the rap group became a subgenre in the overall category of hip-hop. Over the course of the years, the rap group has intended to stay relevant and present. Groups like A Tribe Called Quest graced the game with their immediate classics, and recorded albums now referenced incessantly by any rapper trying to prove he knows the game's history. With Low End Theory and Midnight Maruaders consistently being put near the top of many "Best Album Lists," their impact is obvious. De La Soul gave themselves a foothold on the rap mountain with their lyrical prowess. Public Enemy gave a soundtrack to the youth as they called for a revolution. NWA lent their voice to the new gangsta rap and unknowingly gave many 21st Century preppy kids the soundtrack for which they would claim knowledge of rap for the rest of their lives. And need I say anything about Wu-Tang?
But alas, all good things must come to an end, as all of the aforementioned groups disbanded one way or another. And rap became a solo act. Granted, one very dependent on collaboration, but in the end, the credit was usually meant for one man only. As time went by, there were attempts to revive the group act. Diddy attempted to resurrect the idea with his Making The Band show, but Da Band folded after only one CD, with hardly any good music as a result. The L.O.X. yearned for Money, Power, and Respect, but Styles P., Jadakiss, and Sheek Louch never reached the mainstream success they wanted. Three 6 Mafia found success, but only after being featured in Hustle and Flow. If you doubt me, name 5 Three 6 songs other than Stay Fly or Slob on my Knob right now in your head. Groups like Naughty By Nature, 2 Live Crew, Geto Boys, all revered in some cult-like form now, but in their own heyday, none achieved the success that the mega-groups before them had.
Now today, perhaps there is a revival in the making. Supergroups once again are emerging. Helmed by Lil Wayne, the Young Money alliance has attempted to create a monopoly of sorts on the radio. Perhaps the Cali Swag District will avoid one hit wondership and have success unseen by fellow dance rappers Crank Squad and Dem Heizman Boyz. But these two will never have both commercial success and legitimate ranking in the eyes of the classic hip-hop heads. The hope, I suppose, rests on the shoulders of Kanye West and his G.O.O.D. Music label. Featuring a collection of both critically acclaimed and under appreciated performers such as Kanye himself, Big Sean, Kid Cudi, GLC, Charlie Wilson, Mr Hudson, and a selection of others. Perhaps Kanye can do what Weezy couldn't. Who knows though? Perhaps the Cool Kids will bring the group theory back. Perhaps the New Boys will show us a unseen level of talent. Once again, only time will tell.

Get out the wwwaaaayyyy young money its all about gooooooood

Speaks for itself. Incredible. Download Link in the title.

9.08.2010

Diggin' in the Crates: Vol. 1

This will be a weekly post from me from now until I feel like you all are relatively conscious of classic hip-hop. Here I will be providing you all with one of my favorite rap songs from the past, which is a vague and all-encompassing term that means what I want it to mean. Please listen and give me your opinions. First off:



This is Lamont Coleman, a.k.a. Big L. Definitely one of the best hip-hop lyricists in the history of the game. If you think that Lil Wayne has humorous punchlines, wait until you hear this guy. A lot of these Diggin' in the Crates posts will be songs from in him, in all likelihood (Only fitting since I got the name of the series from him). Big L, unfortunately shot down in 1999, was probably the best rapper alive at the time of his murder. This is only one example of the rapping ability that he has. Be sure to look up more of his stuff.

G92: Boldy Saying No Homo Where It Should Have Been Said Long Before

This is the first of a series which I plan to continue in hopes of exposing every homo-suggestive rap line possible.

At 2:55 In the song Weezy carelessly yells "My flow is like rubbing two logs," and for him we say "no homo."


9.06.2010

Free Weezy


With fifty-eight days left until the release of Dwayne Michael Carter, Jr., the hip-hop world is moving forward slowly without the constant production of songs from the self-proclaimed "Best Rapper Alive." Young Money's presence is steady felt, however, despite his absence, by the young Drake and the bisexual(?) Nicki Minaj. But without Weezy, one must admit, the game is not the same. Wayne's style has been imitated by so many and duplicated by none. When he was at the summit of the hip-hop mountain, there were so many who wanted to walk in his footsteps. Even the ever original Kid Cudi, known for his cutting-edge honesty and creativity, at one point in time modeled himself after the CEO of Young Moolah. (I must cite Daniel Conover for this reference, he provided me with this information.) With so many constant attempts at recreating the style of Birdman J.R., (failed attempts, I might add) there was nothing more soothing than hearing the king himself grace us with his lyrical bars. But alas, all good things must end, and his reign stopped short with his admission into Rikers.
Which brings us to this point. J. Cole is now playing on the radio. Although bubble gum rap is still evident, lyrical skill is being more and more valued. Drake still claims much popularity, but I hear more and more requests for Eminem. It seems as if people have stopped trying to imitate WFB. A diehard fan like myself must wonder what this means for the Lousianimal. It is obvious that the Young Lion must step up his game and rise to the occasion in what seems to be a reviving hip-hop genre. During his stay in jail, he has begun writing lyrics instead of relying on his quick wit to fill his rhyme books. One can only hope that this will be enough for Birdman's son to stay on top in a dynamic game, or else Lil Weezyana will be out of a job. Only time will tell.

9.05.2010

KanYe Continues G.O.O.D. Fridays With Latest Release


In case you didn't know, G.O.O.D. music will be releasing a song from one of their artists every friday until Christmas. They are calling it G.O.O.D. fridays. The latest is a song song "Devil in a New Dress," presumably off of KanYe's new album... needless to say its great. Link in the title. Check it out.

9.03.2010

"I Can't Believe I'm Back Up In This Muhfucka!"

What's good fam? It's been a while, but like the title says I'm back. Boston sure has kept your boy busy, work training and freshmen events and stuff, hardly had any free time. I haven't been keeping up with the blog as much, haven't been keeping in touch with my people as much, and for this I apologize. I been busy, tryna make this paper, tryna promote the music, you understand. But forget all that. This marks the return of regular posting from Charles R., a.k.a. CJ Lamp, a.k.a. Big Ric, a.k.a. it doesn't matter what you call me, cuz you know who the fuck I am, so get off my dick about some bullshit. Now that I got that out of the way, lemme get some more shit off my chest.

1) If you haven't downloaded Summer School the Mixtape yet, I disown you as a friend. DatPiff, Youtube, Mediafire, Facebook Page, it's all over the net, no excuses.

2) Boston is amazing, I can't even get into it here. But I will be expecting a lot of y'all to come visit me while I'm up here, hit up some Red Sox, Celtics, Bruins games. You know.

3)A part of my work study job is working for BU Central, which is the underground concert venue at BU. They have a blog which, when it is up and operating, your boy will be writing for. Y'all being my faithful followers, I'll give you sneak previews and what not.

4) I'm also trying to get my own radio show on WTBU, the Boston University radio station. I'll update y'all as shit happens.

5) I'm back up in this muhfucka. Catch y'all later. Dueces.